Posts Tagged ‘Art’

The Egyptian Museum of Turin

Wednesday, June 15th, 2011

Somebody may not know that one of the most relevant collections of Egyptian art in the whole world is hosted in Turin at the Museo delle antitichità Egizie, better known as Museo Egizio (Egyptian Museum).

Founded in 1824 by king Charles Felix of Savoy, after the purchase of the fundamental collection accumulated in the course of years by Bernardino Drovetti, French General Consul at Cairo during and after the Napoleonic Wars at the turn of the century, it receives more than 500,000 visitors yearly.

Eventually expanded during Nineteenth-, and Twentieth-century successive additions, it is now second in the world as per number of finds held, and their quality. Champollion, the famous French decipherer of hieroglyphs, came to Turin to prove his theories in order to work on the huge collection of papyri owned by the museum, which also prides itself of being the first ever Egyptian Museum in history, being older than the Cairo one.

Some of the scenic temple statues, sarcophagi, and mummies, were move to a new wing with background and lighting designed by the famous Oscar-winning production designer Dante Ferretti.

Italian Museums of Art

Friday, April 15th, 2011

It is variously said that Italy owns about 40 per cent or more of the whole world’s artistic heritage. This may be true, even though such an estimate is enormously difficult to do on precise figures, not existing scientifically catalogued data about art and art relevance.

But one cannot deny Italy has some of the most famous museums in the world, especially as regards ancient and modern art. On the side of the contemporary, Italy is rapidly catching up with the most avant-garde countries and its museums of modern art are growing from year to year and are certainly already competitive on level of interest and works exposed, also thanks to private foundations generously providing funds.

The most famous places to visit in Italy as museums have the remarkable characteristic of being works of art themselves, like the Uffizi in Florence, the very first modern museum in the world, set up to host the collections of the Medici family in the XVI century. And the Pompeii and Herculaneum excavations, a travel through time in genuine Roman cities dug out of the earth and brought back to life: not only a museum but a whole immersion in ancient life.

And what about the collections in Venice (Galleries of the Academy of Art, St Mark’s Basilica), Milan (Castle Sforzesco, Picture Gallery of Brera), Turin (Royal Palaces of the House of Savoy), and the innumerable in Rome and Naples? Just pick your choice among the Italian museums of art, and you can be sure you will not be disappointed.

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Contemporary Art in Italy

Monday, March 14th, 2011

Critics tend to consider as “contemporary” whatever produced from the Second World War period onwards, up until our days. But sculpture, painting, and architecture have been evolving a lot both in Italy and elsewhere, so it is quite and increasingly difficult to spot a common trend without appearing confusing.

Anyway, the most important artists in Italy are certainly, among sculptors, Marino Marini, Emilio Greco, Giovanni (Giò) and Arnaldo Pomodoro, and Pietro Cascella, who was specialized in monumental sculptures and when he died, in 2008, was one of the most famous stone artists in the world.

As for painting, notable are the names of Giorgio De Chirico and Giorgio Morandi, who starting out as Metaphysical travelled across many movements, Felice Casorati, Pietro Annigoni, Renato Guttuso, Lucio Fontana (the one of the “cuts”), Afro Basaldella, Alberto Burri (the one of the “burnings”), Piero Manzoni, along with the representatives of Arte Povera movement.

The more we approach our times, the more labelling becomes difficult and characterized only by a time span instead of a school of art. Post-modern theories are still controversial about what actually post-modern is, but there is accord about the features of irony and entangling concepts, that create works of art of any kind (in literature as in architecture, for example) expressly denying any firm conclusion, rather aiming at confusing spectators, listeners, and readers. Italian artists who can be fine representatives of these trends can include Mario Schifano, Sandro Chia, Francesco Clemente, Enzo Cucchi and Giulio Paolini.

The best specimens of Contemporary art in Italy and abroad, can be surely observed at the Venice Biennale, taking place every two years in Venice, and alternating art and architecture, while the famous Venice Film Festival, also organized by the Biennale foundation, takes place every year at Venice Lido.

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Baroque art in Italy

Saturday, January 15th, 2011

Baroque is the term usually employed by art historians to refer to the period 1600-1750. As the style, the word itself has a controversial meaning whose origins are difficult to trace back. Its undisputed birthplace, though, is certainly seventeenth-century Rome.

Tradition has it as the typical counter-reformation style, cherished by the Roman Catholic Church. Recent findings, however, prove it was not so. In fact, it was also the style in vogue by the European courts of the time, thanks to its exuberant, theatrical features, as much as its famous magniloquence spreading across all surfaces and employing all materials. Rome was the centre of Baroque art in Italy and Europe thanks to popes Urban VIII and Alexander VII: their initiatives promoted urban centre renovation in a Baroque way thus amplifying the city’s architectural prestige.

The Italian Piazza (square), already a urban place at the centre of daily life, acquires in this age the grandeur that made it famous with monumental churches, palaces and pavings such as that of St Peter’s and Piazza Navona, by Bernini and Borromini respectively. Of note are also the magnificent city centre of Lecce, in Apulia, and the churches and palaces scattered throughout its province, as well as the whole Noto valley in southern Sicily, among the provinces of Catania, Ragusa and Syracuse with its centre in the town of Noto, all UNESCO WH Site.

As for painting, Baroque distinguishes itself for the radical changing of view with respect to Mannerism, aiming at stimulating not human intellect but rather strong emotions, involving an impact on gusto, fascination and seduction, captivating the beholder’s senses. Masters in this art were Caravaggio, Annibale Carracci, Correggio, Federico Barocci, and Guido Reni, whose works can be admired in various places in Rome and Naples, but remarkable for its detachment and severity is also the Lombard school promoted by the cardinals cousins Carlo and Federico Borromeo in Milan.

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Origins of Baroque art in Italy

Monday, November 15th, 2010

Baroque is the term usually employed by art historians to refer to the period 1600-1750. As the style, the word itself has a controversial meaning whose origins are difficult to trace back. Its undisputed birthplace, though, is certainly seventeenth-century Rome.

Tradition has it as the typical counter-reformation style, cherished by the Roman Catholic Church. Recent findings, however, prove it was not so. In fact, it was also the style in vogue by the European courts of the time, thanks to its exuberant, theatrical features, as much as its famous magniloquence spreading across all surfaces and employing all materials. Rome was the centre of Baroque art in Italy and Europe thanks to popes Urban VIII and Alexander VII: their initiatives promoted urban centre renovation in a Baroque way thus amplifying the city’s architectural prestige.

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The Art of Italy: Reliving the Renaissance in Florence

Thursday, November 19th, 2009

The Renaissance in Florence does not only mean the obvious – the rediscovery of the classics, research into the authentic sources of Greek philosophy and literature and a renewed interest in the canons of artistic beauty and proportions, but also growing autonomy in terms of supreme theological consciousness by various forms of knowledge, the progressive diminution between learned wisdom, rigidly scholastic teaching and a doctrine of knowledge.

A stay in Florence also means living in contact with this critical, sceptical atmosphere, which then distinguishes philosophical attitude par excellence, hostile to any dogmatic imposition, dissatisfied with any pre-determined and pre-conceived explanation, with any definitive scheme and, as a result, fundamentally creative and inexhaustible, overabundant and original. This is demonstrated by the fertile, lively Renaissance production of the city, which represents its soul and is its guide just as the shepherd leads his flock. Humanism was not philosophical because it liberated itself from tradition and it took its leave of it because it was philosophical.

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Art of Italy: Etruscans

Tuesday, November 4th, 2008

The Etruscans were a civilization culturally and socially highly evolved of ancient Italy, who settled in a wide area from then on known as Etruria, corresponding to Tuscany, Umbria and the northern part of Latium. The expansion and the influence of Etruscan spread to the south towards coast of Campania and to the north to occupy an extensive portion of the Po Valley in the current Emilia-Romagna and Lombardy.

The origins and the provenance of the Etruscans is not yet very clear: according to some sources, including the Greek historian Herodotus (484-425 BC), it is believed that they came from Asia minor, according to other sources it seems that they were related with the Trojans (thesis supported by Virgil); other traditions share their civilization with ancient Sardinians, according to another tradition they should be considered as natives. Whatever their true origin, it seems certain that the first Etruscan people overlapped on Villanovan civilization (see “Prehistory and Italic Art“) from the tenth century BC, assimilating different traditions and skills. The expansion and development of Etruscan civilization accelerate between the eighth and seventh century BC, continuing until the clash with the emerging power of Rome, which since the conquest of Veio (396 BC) began a long process of conquest and assimilation of Etruscan civilization in the Romans which finally completed in the first century BC.

The artistic and cultural heritage left by the Etruscans is immense and can be found in the numerous archaeological sites scattered in the regions mentioned above: ancient ruins, walls, necropolis and various architectural elements that distinguish centers as Cerveteri, Tarquinia, Veio, Vulci, Bolsena (Latium); Populonia, Vetulonia, Volterra, Arezzo, Chiusi, Roselle (Tuscany); Orvieto, Perugia (Umbria), in addition to countless examples of refined art like sculptures in bronze and iron, pottery, the urns and vases decorations: collections of inestimable value preserved in the museums of Italy. Really noteworthy is also the fact that Etruscans have left indelible traces found in religion, in customs and in buildings of ancient Rome.

Art of Italy: Magna Graecia

Monday, September 22nd, 2008

The Magna Graecia is the area located in the southern part of the Italian peninsula that was colonized by the Grecians from the eighth century BC.

The increase of population in various cities of ancient Greece, with the consequent need to find new opportunities for livelihood, combined with the interest for the possibility of developing trades, drove between the eighth and seventh century BC to a considerable number of farmers, peasants, craftsmen and merchants from Greece to head towards the Italic coasts (to put it better, to the coast of present Puglia, Basilicata, Calabria and Campania). This intense migration culminated with the establishment of numerous coastal and inland colonies, cities which then grew and reached high levels in the social, cultural and economic field, so as to encourage the formation and development of a civilization that was called Magna Graecia, to indicate evolution and overcoming compared with the ancient homeland.

Sicily requires special remarks, because despite having numerous colonies of Grecian origin is not properly part of Magna Graecia: if the Roman historian included Sicily in this great civilization the ancient Grecians were not of one mind.

Many reports of the glorious times past are found in archaeological sites and museums in several cities of southern Italy, calling today a huge number of tourists. Among the cities that owe their origin to the Grecians one can list: Canosa, Gallipoli, Taranto (Puglia); Ferrandina, Metaponto, Nova Siri, Pisticci, Policoro, Tursi (Basilicata); Cirò, Crotone, Gioia Tauro, Marcellina, Nocera Terinese, Reggio Calabria, Rosarno, Vibo Valentia (Calabria); Cuma, Ischia, Napoli, Pozzuoli (Campania); Acireale, Agrigento, Camarina, Catania, Gela, Giardini-Naxos, Imera, Lentini, Messina, Milazzo, Selinunte, Siracusa (Sicily). Among the most interesting monuments: the Valley of the Temples in Agrigento (declared Patrimony of Humanity by UNESCO), the Temple of Poseidon at Taranto, the Temple of Hera in Metaponto, in addition to numerous exhibits kept inside the Museo Nazionale della Magna Grecia in Reggio Calabria.

Art of Italy: Prehistory and Italic Art

Friday, August 22nd, 2008

Italy holds within its borders an immense artistic heritage, a huge museum that over the centuries has increasingly enriched thanks to the great civilizations and the genius of artists who today are celebrated worldwide.

A travel to Italy offers the chance to start exploring the countless number of monuments and works preserved both in large art cities such as Rome, Florence and Venice as in each of the other cities of the peninsula: every region of Italy is able to offer pleasant surprises to their visitors, with marvels in all the various fields where it can be divided art (architecture, sculpture, painting but also music, literature and filming).

From prehistoric times until today, Italy has always been one of the most active areas with regard to culture and art. Following a historic route you can start from prehistoric Italian art (up to the Bronze Age) and what is called Italic Art, produced by the many civilizations that lived in the Italian peninsula during the period proto-historic, namely between the beginning of Iron Age (around the twelfth century BC) and the complete domination of Rome (first century BC), these must be added the testimonies of Magna Graecia and the particular case represented by Etruscan art.

The traces of prehistoric art in Italy are concentrated in two main areas: the Po Valley, in contact with the northern Europe and Danube area, and the central-southern area overlooking the Mediterranean. Admirable are the examples of rock art of civilization Camuna (in the Val Camonica in Lombardy), terracotta vases of civilization Villanovian (from Villanova near Bologna), elegant ornaments on metal pots of civilization Atesina (from Este in the province of Padua ).

Among the most typical examples of Italic art there are the magnificent limestone statues and tombstones produced by populations allocated along the coasts of the Adriatic Sea (such as Piceni and Daunians), as the “warrior of Capestrano” (preserved in the National Archaeological Museum of Abruzzo, Chieti) or “stele of Siponto” (in northern Puglia).

The Endless Wonders of Italy

Wednesday, June 25th, 2008

Italy is a republic founded on tourism, that is certainly one of the most developed and profitable sectors oh its economy: an immense inheritance that includes historical, artistic, archeological and natural beauties, without forgetting also the gastronomic goodness.

The tourist attractions that Italy can offer are numerous and very varied, thanks to art cities, seaside resorts, mountain areas and wonderful landscapes proposed by plains and hills. The huge artistic and archaeological heritage of Italy is mainly kept in its cities, the first among all Rome, Venice and Florence (which receive each year millions of tourists from all over the world) but also Milan, Turin, Genoa, Bologna, Ravenna , Pisa, Naples, Lecce, Palermo, Agrigento, to name a few.

The coastal extension of Italy (considering the peninsula and its islands) is about 7458 km, characterized by a remarkable variety of shapes and really rich of beaches: not surprising then that tourism resort in Italy is able to offer excellent opportunities for fun and relaxation: the Riviera Romagnola (with Rimini and Riccione), Costa Smeralda (with Porto Cervo and Porto Rotondo), the seacoast of Veneto and Friuli (Jesolo, Bibione, Lignano Sabbiadoro), the seacoast of Liguria (Alassio, San Remo and the Cinque Terre), the Tyrrhenian Coast (with the Versilia and the Argentario), the Salento (with Gallipoli and Santa Maria di Leuca), the Amalfi Coast (with Amalfi, Sorrento, Positano), Sicily (Catania, Messina , Taormina), in addition to numerous other islands kissed by a hot and bright sun (including the Elba, Ponza, Ischia, Capri and so forth). The beauty of the mountains Italian greatly enriches the tourist offer of Belpaese, with breathtaking views and localities largely equipped to ensure unforgettable stays starting from the Alps (from Courmayeur to Cortina, through the Trentino-Alto Adige and continuing until Karst) and then down to travel all the Apennines.

Also the landscapes of the countryside, of the woods and the hills are characterized by a great charm: an incredible variety of scenarios that has no equals in the world, accompanied by a cultural diversity that is also reflected in the culinary traditions, with products and specialities that have made Italian food and wine the most celebrated and beloved in the world.